Chronicle in Stone is a searing coming-of-age novel, set during World War II in an Albanian hill town that has the misfortune of lying between Italy and Greece. Gjirokaster, today a UNESCO World Heritage site, is built of stone from the Southern Balkans and counts amongst its citizens Muslims, Christians, Gypsies, nuns, and prostitutes. Its highest peak is capped by a formidable fortress that has repelled invaders as far back as The Crusades; it is here that every segment of Gjirokaster society seeks refuge during the worst of the Allied bombings, peasants mingling with nose-holding aristocrats.
The protagonist, a young Muslim boy who reads Macbeth and loves words, imagines the picturesque homes of Gjirokaster to be living creatures, each with its own story. Even the cistern in his home’s basement speaks to him, and the planes from a nearby airfield become big-bellied friends that he imagines couldn’t possibly hurt him.
The boy at first casts an amused eye on the town’s traditions, such as its fear of witchcraft and the ancient women who haven’t ventured outside in decades. He grows more observant as he notes the violence inflicted on those who flaunt its sexual mores. One man, likely a hermaphrodite, is killed the morning after his wedding for the audacity of falling in love. During a bombing, a young girl kisses her secret boyfriend and is hauled home by her hair, where she disappears in what her ever-searching boyfriend fears is an honor killing. A woman, who reveals herself as a lesbian, is dismissed with the euphemism of “having grown a beard” and banned by her own father from the safety of air raid shelters.
Chronicle in Stone proves the cruelty not only of wartime, but of unexamined traditions and of a culture that attacks its own iconoclasts. The boy’s great wisdom lies in the growing realization that not all the traumas of wartime are inflicted by invading armies.